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Pros considering the D700 will be pleased that the camera has a built-in flash that can control two flash groups, just like the other semi-pro cameras in the line it's a pity, though, that they didn't include that third group for full versatility. The bulging shape looks strange at first, but now that I've used the D700 for a bit, the D300's pentaprism housing looks small relative to the wide, tall body. It's a lot taller to allow for the larger pentaprism inside. Though the Nikon D700 feels and shoots almost identically to the D300, one major feature stands out as different: the pentaprism housing. The duration of shutter sound is also a lot shorter on the D700, attracting less attention than the 5D's long, slow mirror slap and winding sound. I also appreciate the Nikon D700's viewfinder blackout speed, which seems quite a bit faster than the Canon 5D's rather sluggish performance.
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The only major difference I experienced when shooting the D700 was that the lens's 24mm setting produced an image that looked like it was shot at 24mm: more like the one I used to get back in the days of 35mm film SLRs.
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The bulk of the story is that the D700 is a lot like a D300 with a full-frame sensor, and that's pretty much how it shot in the field. According to Nikon, that includes the 12-channel readout for faster image acquisition. Though I called the Nikon D300 the "build-it-yourself D3," the Nikon D700 brings you a lot closer to that goal, with the ability to add not only the D3's faster frame rate to your camera, but you start out with the D3's exact 12.1, full-frame, high-sensitivity CMOS sensor. The D700 is also available bundled with the Nikkor 24-120mm VR lens, for about $3,599.Īs if having two of the hottest and best performing digital SLRs weren't enough, Nikon is shipping a camera that combines the best of both cameras into one: the Nikon D700.
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Coming in at $2,999.99, $300 less than the Canon 5D's initial retail price, the Nikon D700 is sure to sell well. The new display includes onscreen hot buttons similar to the Nikon D80, which allow quick access to commonly changed functions without having to find a button or delve into the menu helpful when the camera is mounted high on a tripod.Ĭombining the best of the D300 with the excellence of the D3 is a masterstroke that's sure to attract a lot of sales. A new information display on the rear LCD augments the monochrome LCD status display on the top deck. The Nikon D700's magnesium alloy body is sealed and feels like a rock, just like its predecessors and a new accessory attaches to seal the connection between the camera and the new SB-900 flash. The Nikon D700's Expeed processor is also the same as the Nikon D3, if not a newer version, so there are no frame-rate bottlenecks when it comes to 12-bit vs 14-bit A/D (Analog to digital) conversion, as there is on the Nikon D300. The shutter mechanism of the D300 is rated at 150,000 cycles. Though it's a full-frame camera, the Nikon D700's shutter mechanism can deliver up to five frames per second, and adding the MB-D10 battery grip that was originally made for the D300 will also raise the frame rate to eight frames per second (see the action sequence on the Gallery tab). Nikon said that the technology missed the D3 because it just wasn't ready before production began. The D300's Integrated Dust Reduction made it into the full-frame D700 as well. The 3-inch LCD has 920,000 pixels, for the same excellent photo preview and detailed Live View as the D3 and D300. Other major features include the Virtual Horizon Indicator from the D3 (which is now active in Live View mode as well), the 51-point AF system with 3D tracking, and the two Live View modes (Handheld and Tripod). We've noted a few differences in overall performance from the D3's images, however, with a little better control over red saturation, and detail in the JPEGs that resembles what you get from well-processed NEF files from the D3. As a result, the D700 has the D3's renowned image quality at high ISO, but in a smaller, more affordable form factor. The 12.1-megapixel, FX (full-frame) sensor is taken directly from the Nikon D3 digital SLR camera, with the same 8.45-micron pixel pitch and 12-channel data readout.